时间：2026-01-01 22:36:36编辑：
李峰，男，1940.12月，现居北京，祖籍山东肥城，斋号:墨趣斋，自幼酷爱书法，五八年入伍后在济南空六军任文化教员，并取得济南教师进修学院大专学历，从事专业语文和书法教学。转业后在军企工作，任经济师。期间一直坚持学习书法，几十年如一日，默默无闻，勤学苦练，曾接受刘炳森、张西凡部长、王锡铭三位名师指导，擅长隶书和行书，涉猎诸家真、草、隶、篆各书体，传统功力较强，书法艺术作品普遍受到书法爱好者的赞誉和收藏。
现为:国家高级书法师，全国书画艺术委员会副主席，世界非物文化遗产研究院副院长，中国书法艺术研院客座教授，世界华人艺术家名人书法专业委员会副主任，中国东方文化研究会研究员。中国书画家研究会艺术委员，中国书画家协会理事，首都书画院理事，华夏当代书画院理事，中加国际画院理事，中国楹联学会会员，中国楹联学会书法专业委员会委员，北京燕京书画院副院长，北京中国书画协会会员，中国人民书画艺术研究院会员，CCTV《艺术传承》栏目组客座教授，中国教育台水墨丹青书画院会员，艺术头条雅昌会员，中国书画家联盟会员，收藏天下全国数字电视频道特聘学术指导与特约艺术家。多次参加全国书法比赛并获奖。书法艺术作品被选入《中国艺术大家》名录，选入《人民日报》社《民生周刊°》杂志社主编的《全国书法艺术邀请展作品集》。被中宣部授予艺术家荣誉称号;2021年荣获“中国梦.艺术先锋'荣誉称号，并颁发证书和奖杯;2021年9月荣获“中华艺术人物”荣誉称号，荣获”中国当代最具投资收藏价值的艺术家”荣誉称号，并颁发证书和荣誉奖牌;2021年12月荣获年度艺术创作功勋人物荣誉奖杯，颁发荣誉证书;2022年1月荣获当代最具收藏价值艺术家荣誉称号。
2022年被中国书法家协会、中国美术家协会、中国传统文化发展中心授予中国人民艺术家荣誉称号，并颁发荣誉牌匾证书;2022年7月受邀入驻《名人辞典》展示了各部经典作品以及获奖证书;2022年7月受邀入选《全国艺术家信息公示系统》艺术名家展了经典书法作品;2022年10月荣获中书协和中美协联合评选的人民书画家荣誉称号;2022年10月荣获最具创作力艺术名家荣誉称号。2023年1月荣获《名家特刊》官方重点推荐书法名家荣誉称号，并颁发证书;2023年2月以封面人物入编《纪念改革开放45周年重点推荐艺术名家》专刊;2023年5月受邀刊登《向人民大会堂重点推荐艺术名家》精品集;2023年6月荣获《CCTV书画艺术爱心大使》荣誉称号;2023年10月荣获《全球百强榜艺术家》荣誉称号;2023年11月受邀担任《CCTV今日视界》特约艺术家;2023年12月荣获中国文学界艺术人物荣誉称号;2024年1月荣获世界华人书画艺术家金奖获得者荣誉称号;2024年2月荣获大国大家艺术领军人物荣誉称号;2024年5月书法作品被“我和我的祖国-庆祝新中国成立75周年”主题邮册收录，并授予“国礼艺术家”“中国艺术功勋人物”荣誉称号。2024年9月受邀担任《国宝级央新名人档案》特聘高级顾问。2024年9月荣获中国书法终身成就奖。李峰荣登---2024年度最具收藏价值中国书画名家排行榜。
2025年荣获:中华人民共和国艺术精英人物荣誉称号。2025年荣获金:鼎国宝.盛世典藏艺术大家荣誉称号。2025年3月荣登世界艺术百家榜。2025年入编中国文联、中国书协、中国美协联合主办出版的文华盛世-翰墨传薪权威书刊。2025年世界级艺术名家教材备案作品。2025年荣获福布斯财富:世界艺术盛典翰墨文化金奖人物报道。
Li Feng, male, born in December 1940, currently resides in Beijing. His ancestral home is Feicheng, Shandong, and his studio name is Moqu Zhai. He has been fond of calligraphy since childhood. After enlisting in the Jinan Air Force in 1958, he worked as a cultural teacher in the Sixth Army and obtained a college degree from Jinan Teachers' Training College, engaged in professional Chinese language and calligraphy teaching. After switching careers, I worked in a military enterprise as an economist. During this period, he persisted in learning calligraphy and remained silent for decades, diligently studying and practicing. He received guidance from three famous teachers, Liu Bingsen, Minister Zhang Xifan, and Wang Ximing, and was proficient in clerical and running script. He also studied various styles of calligraphy, including traditional script, cursive script, clerical script, and seal script, with strong traditional skills. His calligraphy works are widely praised and collected by calligraphy enthusiasts.
Currently: National Senior Calligrapher, Vice Chairman of the National Calligraphy and Painting Art Committee, Vice President of the World Intangible Cultural Heritage Research Institute, Visiting Professor of the Chinese Calligraphy Art Research Institute, Deputy Director of the Calligraphy Professional Committee of World Chinese Artists and Celebrities, and Researcher of the Chinese Oriental Culture Research Association. Art Committee Member of the Chinese Calligraphers and Painters Research Association, Director of the Chinese Calligraphers and Painters Association, Director of the Capital Calligraphy and Painting Academy, Director of the Huaxia Contemporary Calligraphy and Painting Academy, Director of the China Canada International Painting Academy, Member of the Chinese Couplet Society, Member of the Calligraphy Professional Committee of the Chinese Couplet Society, Vice President of the Beijing Yanjing Calligraphy and Painting Academy, Member of the Beijing Chinese Calligraphers and Painters Association, Member of the Chinese People's Academy of Calligraphy and Painting Art, Visiting Professor of the CCTV "Art Inheritance" Column Group, Member of the China Education Ink Painting and Painting Academy, Member of Art Headlines Artron, Member of the Chinese Calligraphers and Painters Alliance, and Special Academic Guidance and Special Artist for Collecting National Digital Video. Participated in national calligraphy competitions multiple times and won awards. Calligraphy art works have been selected into the list of "Chinese Art Masters" and included in the "National Calligraphy Art Invitation Exhibition Collection" edited by People's Daily and Minsheng Weekly. Awarded the honorary title of artist by the Central Propaganda Department; In 2021, he was awarded the honorary title of "Chinese Dream. Art Pioneer" and presented with certificates and trophies; in September 2021, he was awarded the honorary title of "Chinese Art Figure" and the honorary title of "China's Contemporary Most Valuable Artist for Investment and Collection", and presented with certificates and honorary medals; In December 2021, he was awarded the Annual Artistic Creation Meritorious Person Honor Trophy and presented with an honorary certificate; Received the honorary title of Contemporary Most Collectible Artist in January 2022.
In 2022, awarded the honorary title of Chinese People's Artist by the Chinese Calligraphers Association, the Chinese Artists Association, and the Chinese Traditional Culture Development Center, and presented with an honorary plaque certificate; In July 2022, invited to join the "Celebrity Dictionary" to showcase various classic works and award certificates; In July 2022, invited to participate in the exhibition of classic calligraphy works by art masters on the National Artist Information Publicity System; In October 2022, awarded the honorary title of People's Calligrapher and Painter jointly selected by the China Calligraphers Association and the China US Association; In October 2022, won the honorary title of the most creative art master. In January 2023, he/she was awarded the honorary title of "Famous Calligraphy Master" recommended by the official special issue of "Famous Calligraphers" and presented with a certificate; In February 2023, the cover character will be included in the special issue "Key Recommended Art Masters for Commemorating the 45th Anniversary of Reform and Opening Up"; In May 2023, invited to publish the boutique collection "Recommended Art Masters to the Great Hall of the People"; Received the honorary title of "CCTV Calligraphy and Painting Art Love Ambassador" in June 2023; Received the honorary title of "Global Top 100 Artists" in October 2023; Invited to serve as a special artist for CCTV Today's Vision in November 2023; In December 2023, he/she was awarded the honorary title of Art Figure in the Chinese literary world; Received the honorary title of World Chinese Painting and Calligraphy Artist Gold Award winner in January 2024; In February 2024, he/she was awarded the honorary title of "Leading Figure in the Art of the Great Nation"; In May 2024, the calligraphy works were included in the theme stamp album "Me and My Motherland - Celebrating the 75th Anniversary of the Founding of New China" and awarded the honorary titles of "National Gift Artist" and "Chinese Artistic Merit Figure". In September 2024, invited to serve as a specially appointed senior consultant for the "National Treasure level Central New Celebrity Archives". Received the Lifetime Achievement Award for Chinese Calligraphy in September 2024. Li Feng has been listed as one of the most valuable Chinese calligraphy and painting masters for collection in 2024.
In 2025, he/she was awarded the honorary title of "Artistic Elite of the People's Republic of China". In 2025, it will be awarded the Gold: Tripod National Treasure Honorary title of Master of Shengshi Collection Art. Ranked on the World Art 100 list in March 2025. In 2025, it will be included in the authoritative book and magazine "Wenhua Shengshi Hanmo Chuanxin" jointly sponsored and published by the China Federation of Literary and Art Circles, China Book Association, and China Artists Association. Record works of world-class art masters' textbooks in 2025. Report on the person who won the Forbes Wealth: World Arts Awards Hanmo Culture Gold Award in 2025.
墨守与突围：李峰书法艺术中的
传统守望与现代性思考
在当代书法艺术众声喧哗的语境中，李峰先生以"墨趣斋"为精神寓所，默默耕耘砚田六十余载，其艺术实践呈现出一种近乎固执的"保守"姿态。这位1940年生于山东肥城、长于京华的书法家，师承刘炳森、张西凡、王锡铭等名家，却未如某些同辈般急于标新立异，而是选择了一条看似"守旧"的艺术道路。然而，正是在这种对传统的深度沉浸与虔诚守望中，李峰完成了对书法本质最为现代的叩问——当大多数人在谈论书法的创新时，他提醒我们首先应该理解什么是真正的"传统";当众人急于解构笔墨的规范时，他坚持认为"功力"才是创新的真正基石。这种艺术立场，在当下尤其显得珍贵而富有启示。
李峰的书法世界建立在深厚的传统地基之上。他对汉隶的研习绝非表面化的形似追求，而是深入骨髓的气质把握。观其隶书作品，横平竖直间蕴含着《礼器碑》的峻拔、《张迁碑》的朴茂，转折处可见《石门颂》的舒展，这种对经典的消化吸收已臻化境。尤为难得的是，李峰对"诸家真、草、隶、篆"的广泛涉猎并非杂而不精的炫技，而是构建起了一个相互滋养的笔法生态系统。他的行书作品中，我们能清晰辨识出隶书笔意的沉淀——那种舍弃浮华、回归本真的线条质感，恰恰来自隶书训练的深厚根基。这种跨书体的笔法互鉴，使李峰的作品避免了单一体裁容易陷入的技术窠臼，形成了"传统而新鲜"的独特面貌。
在书法界普遍崇尚"创新"的潮流中，李峰对"功力"的坚守构成了一种文化抵抗。当代书法创作中存在两种值得警惕的倾向：一是将书法简化为视觉构成的游戏，追求形式刺激而轻视笔墨内涵;二是将书法异化为表演艺术，强调现场效果而忽视作品本身的质量。李峰"几十年如一日默默无闻，勤学苦练"的从艺态度，恰是对这两种倾向的无声反驳。他的作品不依赖夸张的构图或刻意的变形来吸引眼球，而是通过每一笔的起承转合、每一字的间架结构来传递书法最本真的美感。这种看似"保守"的选择，实则是对书法艺术本质的坚守——书法首先是"写"的艺术，然后才是"看"的艺术。李峰用一生的实践告诉我们：没有经过时间淬炼的"创新"，很可能只是无本之木的标新立异。
李峰艺术中的"现代性"恰恰体现在他对传统的深度理解上。在艺术史视野中，真正具有现代精神的艺术家往往不是那些与传统决裂的叛逆者，而是能够穿透传统表象、把握其内在活力的智者。李峰的书法实践正体现了这种深刻的现代性——他对隶书规整中的变化、行书流动中的节制有着超乎常人的敏感，这种对"度"的精准把握，使他的作品在严谨的法度中透露出生命的韵律。尤其值得注意的是，李峰虽然接受过多位名师指导，却未陷入对某家某派的简单模仿，而是形成了个人鲜明的艺术语言。这种在传统中寻找自我的路径，比那些急于"创新"而实际上重复西方现代艺术模式的尝试，可能更接近中国书法创新的本质。
李峰书法艺术给予当代最重要的启示在于：传统的深度恰恰是创新的高度。在全球化语境下，中国书法面临着如何既保持本体性又实现现代转型的双重挑战。李峰的实践提示我们，解决这一难题的钥匙可能不在西方艺术理论的简单借用，而在对中国书法传统更为深入的挖掘。他对各种书体的融会贯通、对笔墨语言的精研锤炼，展现了一条通过"深入传统而超越传统"的创新路径。这种创新不表现为外在形式的颠覆，而体现为内在气质的升华;不以断裂为标志，而以延续中的发展为特征。
回望李峰六十余年的书法生涯，我们看到了一位艺术家的文化定力与智慧。在快速变化的时代里，他像一位耐心的农夫，深耕传统文化的土壤，收获的不仅是个人艺术的成功，更是对书法本质的深刻诠释。他的实践告诉我们：在这个强调"变"的时代，懂得什么应该"不变"或许更为重要;在众人追逐潮流的喧嚣中，坚守艺术的本真才是最难能可贵的品质。李峰的"墨趣斋"不仅是一个创作空间，更是一种文化姿态的象征——在这里，我们看到了中国传统艺术生生不息的生命力，也看到了面对现代性挑战时，最为成熟而自信的应对方式。
